Update from the
Queen Anne's
Revenge Shipwreck Project
Volume 4, Number 2
Summer 2004
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We found this information in a September, 1999 issue of
The New England Quarterly by Professor Thomas C. Leonard at the
University of California, Berkeley. Leonard says this ballad has been
under some question as authentic Franklin, whose earliest works have
traditionally been designated as beginning in 1722. But scholars now
have accepted it as not "inconsistent" with Franklin's works,
especially since he was a well-educated and bright youngster, apprenticed
to his printer half brother, James, and living in Boston where he had
access to numerous news sources.
Modern Piracy In an earlier newsletter, we discussed the savage and
brutal nature of pirates such as Edward Teach (Blackbeard) and commented
on the increasing incidents of modern piracy around the world. On April
4 of this year, the New York Times ran an editorial on the subject,
"Piracy and Terrorism". Here are some quotes from that editorial.
Readers may remember that in the Spring 2003 issue of The Queen's Report, we issued a call for help in translating an article in a Danish Magazine, Illustreret Videnskab, that included information about Blackbeard. We found assistance from none other than a cousin of our Director, Mark Wilde-Ramsing: Eva Hage and her husband Svend Bak. Eva recently sent us a translation, and, as we suspected from the colorful illustrations, it is a general article about pirates with an emphasis on the three they considered the most infamous: Blackbeard, Black Sam Bellamy, and Captain Kidd. It also includes a discussion of the favorite routes and party places of 17th and 18th century pirates and a description of the events leading up to Blackbeard's death. Bellamy drowned with 142 crew members when his ship, the "Whydah" (pronounced "whedah") went down, and Kidd was hanged in London.
Modern Intrusives At The Shipwreck Site Question: What would you guess these items have in common: golf ball, peanut shell, beer can, fishing lure, plastic fishing line, laminated plywood, beer bottle fragments, pieces of sand fence, plastic bottles and bags, a cork, a wooden cigar mouth piece, and a Budweiser can? No, the answer is not a landfill, They were all found
on the site of the Queen Anne's Revenge shipwreck. Archaeologists
call them modern intrusives, that is, they were not at the site at its
beginning but were dropped there or washed up there after the ship went
down in 1718.
The items mentioned above have probably been deposited on the site in very recent years, maybe even months or weeks. But other intrusives found there are older. We found bottleneck fragments that have been identified as probably from the 1880's, and a ginger beer bottle with the name "Price-Bristol" stamped on its base is probably from the Civil War era.
A food storage may also be from the 19th century. A 24-pound cannon ball is intriguing because our archaeologists believe there were no cannons on the QAR that size. Paul Branch, historian for the Fort Macon State Park suggests that it may have resulted from target practice from nearby Fort Macon, which during the Civil War had as many as nineteen 24-pound cannons. All modern intrusives are treated with the same care as
any other artifact. They are identified, numbered, and listed: who found
it, when and where on the site, how much it weighs, how long/wide/high
and what color it is. It may be drawn or photographed, will certainly
be studied and analyzed, and then stored in a safe place. Rarely is
anything thrown away and then only after undergoing a formal de-accession
process that must be approved at several levels. On QAR conservation
information sheets, there is a space that asks for "Provenience".
That means origin or source, and it is here that the diver recovering
an item must list where on the site it was found. On one form, a diver
snared a piece of fishing line from what he or she called "General
Surface". The likelihood is that it was floating in the water just
above the site.
Director's Report Volunteers and interns have been a mainstay with the QAR shipwreck project through the years. This summer we have been pleased to have Allison Suggs from Kannapolis, N.C. on the QAR staff. The internship is her final requirement for graduation from Appalachian State University. Allison majored in geography with a specialty in Geographic Information Systems, a program using computers to graphically demonstrate the real world. Her activities this summer included research on the voyages of the French slave ship La Concorde and the design of an electronic map of those voyages. Blackbeard captured the La Concorde and re-named it the Queen Ann's Revenge.
Allison's major accomplishments was digitizing a series of Beaufort Inlet maps to track channel movements and water depths over the shipwreck during the twentieth century. She was able to document a period when the natural channel passed directly over the QAR site and the steady loss of sand over the site from the 1930's when 6 feet of water and 14 feet of sand covered the shipwreck to today when there is 23 feet of water and very little sand. This study provides the basis for our examination of the affects on the shipwreck by Beaufort Inlet channel dredging. By the time this newsletter comes out, Allison will have completed her internship and will be on her way to a career. We wish her well! She thinks the QAR Shipwreck Project is cool! Other support is garnered through donations and use of equipment for the project. Many thanks to the Purifoy's and Olympus Dive Center, Morehead City, who provided a boat for our recent site inspection. It was also with great pleasure that we received ArcEditor 9 from Christen Carlson, Manager of ESRI Charlotte, N.C. These tools will be a valuable asset as we manage and interpret a whole range of site data.
In the Morehead City/Beaufort/Cape Lookout area? Visit the North Carolina Maritime Museum at 315 Front Street, Beaufort, NC and see many of the actual artifacts from Queen Anne's Revenge. |
Check out previous Newsletters:
Volume 1, No. 1
Volume 1, No. 2
Volume 1, No. 3
Volume 2, No. 1
Volume 2, No. 2
Volume 3, No. 1
Volume 3, No. 2
Volume 3, No. 3
Volume 4, No. 1
Volume 4, No. 3
Volume 5, No. 1
Volume 5, No. 2
Volume 5, No. 3
Volume 6, No. 1
Volume 6, No. 2
Volume 6, No. 3
Volume 7, No. 1
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