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It was the third cannon identified on the site and the
second to be raised, coming up in October of 1997. But it would be nearly
six years, on April 2, 2003, before QAR conservators relieved
Cannon C-3 of the concretion stuck in its throat. The long preparation
for this event included initial cleaning, long periods of fresh water
baths, and several episodes of electrolytic reduction. During this latter
process an electrical charge is sent through the cannon in hopes that
stubborn corrosion built up over the years of exposure to the ocean
will loosen up and removed easily. It worked on the other three cannons,
but for some reason, whether it was the metal used in casting, the way
it deteriorated over the past 285 years, or some other undetected reason,
C-3 was stubborn. What it took was ingenuity, muscle and persistence
from State archaeological conservator Nathan Henry and his technical
crew, Wendy Welsh and Mike Tutwiler. After having to "retool"
several times, on the third try they succeeded in retrieving two oily
rope wads and an iron cannon ball. What can we say, "It's a beautiful
baby!!"
Be sure to check out the Conservator's
monthly reports to learn about the latest finds.
THE OTHER WORK OF ARCHAEOLOGISTS
Start with the discovery of a shipwreck, what's left of a wooden ship
that ran aground and sank in Beaufort Inlet nearly 300 years ago. Send
down divers who discover wreckage scattered across 150 feet of ocean
bottom in twenty feet of water. Excitement mounts. Is it possible, could
this be it, the wreckage of the Queen Anne's Revenge? Circumstantial
evidence accumulates. Dates on some artifacts, historical documents,
analyses of wood and metal, and the varieties of cannon types all point
to the possibility that this is indeed the flagship of the pirate Blackbeard.
Crewman aboard the R/V Dan Moore secures "Baby Ruth II" under the
watchful eye of DCR Secretary Libba Evans
That's all very exciting and adventurous, the kind of activity that
gets attention from the press and recognition from the public, but there
are other tasks to be done. Each artifact must be assigned two identity
numbers, one for our Shipwreck Project and one for North Carolina's
master list of archaeology finds. These numbers are registered on a
conservation laboratory form and stored in a file created to hold all
the information on this one artifact. For example, QAR366.002,
(N.C. Accession No. 980820.255), is a black, solid, round, cast iron
shot with a diameter of 3.35 inches, and it weighs 4.75 pounds. It was
found in a concretion inside the barrel of Cannon C-4, recovered by
Richard Lawrence, head of the NC Underwater Archaeology Unit, on October
12, 1998. [artifact form - for QAR366.002]
Under
a "Process" section, the lab form also shows 18 entries. This
means that in the five years since its recovery, this cannon ball has
had something done to it eighteen times, and, each time, the date, the
activity, and the archaeologist who did it, were duly recorded: freshwater
storage, washing, distilled water bath, electrolysis treatment, salinity
checks, special coatings applied, and so on. With some artifacts, identities
are uncertain, (bones or fabric remnants, for example) and they must
be sent to experts or laboratories for analysis. Concretions (usually
masses of stone, shell, and sand that have bonded together) can be difficult.
Taking them apart may require dental picks, small air scribes, or ex-rays.
This is a brief description of some of our other tasks, the ones that
are unrecognized, unglamorous, and sometimes tedious, but it's all part
of the job. We don't know how many hours we have spent on QAR366.002.
What we do know is that it has been treated with great care, like a
baby, and has been meticulously identified, analyzed, described, drawn,
photographed, cataloged, and safely stored away in a plastic bag in
its own special place. That leaves us with---what---only about 9,999
to go?
QAR Question?
CAN ANYBODY OUT THERE READ DANISH?
 The
QAR Project is very appreciative of the advice and recognition
it receives from international sources. Recently we got hold of a copy
of a Danish magazine, Illustreret Videnskab with an eight-page
article "Piraterne Genopstar" that includes the Queen Anne's Revenge.
The article is colorful and graphic and includes various pirate flags
and a realistic drawing of Blackbeard's head hanging from a yardarm.
The truth is-well---er---ah---um---we can't read it, and in all our
stable of experts, we can't find anybody who can. And, no, our budget
won't pay for interpreters. So, with great hesitancy, and not a little
embarrassment, we have to ask: can anybody out there read Danish? Will
you help us? If so, email us at qar@ncmail.net
and we'll send you a copy to translate.
GENERAL SUPPORT SEEN
FOR AN HISTORIC SHIPWRECK PARK
There
are 5000 historically reported shipwrecks in North Carolina waters so
QAR staff members were interested in hearing about possible public
support for the creation of an historic shipwreck park. While attending
the Society for Historical Archaeological conference they heard Suzanne
Finney, PhD candidate at the University of Hawaii, report on a survey
she and Dr. John Whitehead, UNC Wilmington, had done. The results revealed
some interesting observations collected from the 940 randomly selected
Eastern North Carolina residents who were telephoned.
Seventy per cent said they were likely to visit historic sites while
on vacation, and nearly 67% had heard of the Queen Anne's Revenge
Shipwreck Project. Sixty-three per cent had visited the NC coast in
the past year, and 20% had visited a ship or shipwreck, but less than
one per cent had stopped by the NC Maritime Museum where we have artifacts
but not a "ship". That's a shame because the Museum is a great
place for children and adults. It does have some QAR artifacts,
but it also has numerous other interesting maritime exhibits.
Seventy-six per cent believed it is important to monitor and study
historic shipwrecks, and Whitehead and Finney conclude that the economic
value of submerged maritime cultural resources appears to be substantial.
Did the respondents support the creation of an historic shipwreck park?
An average of 60% did and were willing to pay up to $30 per household
for a one-time tax to build one. This income, invested in a 30-year
annuity yielding 5%, would generate $1.32 million in annual revenue.
DIRECTOR'S REPORT
 Progress
continues steadily on disassembly, documentation, and analysis of concreted
artifacts recovered from QAR during several years of site assessment
expeditions and during emergency recovery after the 1999 hurricane season.
It still appears that our estimate of approximately 10,000 artifacts
is correct. Each artifact receives individual attention to free it from
years of corrosion and then clean and stabilize it for future display
and long-term curation. With cut backs in state funding a willing force
of existing state employees and volunteers have pitched in to help.
These people, as individuals and as part of a team, paid and unpaid,
have made a huge difference. I am especially indebted to Dr. James Craig
and Dr. Sim Wilde, who bring a range of expertise, years of experience,
and the willingness to do any task, no matter how menial, to accomplish
our goals. Collectively, they are averaging over 100 hours on the job
each month. I salute them, as well as, our dedicated staff from the
Department of Cultural Resources. Support from the National Endowment
for the Arts has been invaluable by providing funding through their
Save America's Treasures program. The QAR Shipwreck Project is
beginning to hit its stride, and make progress in efforts to explore
and bring to the public the many exciting artifacts from the only pirate
ship to be excavated using strict archaeological controls.
To
help accomplish these goals, and with great anticipation, Sarah Watkins-Kenney
began as QAR conservator on March 10th. Sarah trained as an archaeological
conservator at Cardiff University in Wales and has worked on a range
of archaeological projects over the past 25 years. Most recently, she
was head of the Metals, Ceramics and Glass Section in the Conservation
Department of the British Museum in London. Sarah will head the permanent
QAR conservation laboratory, which is being developed through
a partnership between the Department of Cultural Resources and East
Carolina University. The laboratory, which will be fully functional
this summer, is being equipped and partially staffed through Save America's
Treasures funding. Graduate assistants from the Maritime Studies Program
and other departments at ECU will assist conservators with the delicate
job of cleaning and stabilizing everything from fragments of canvas
sail cloth to 18-foot timbers and one-ton cannons. When the task of
stabilizing each object is complete, they will again journey to the
coast to a special facility constructed by the North Carolina Maritime
Museum in Beaufort. Here artifacts will become part of interpretive
displays and maintained in a protected state for years and years to
come. We hope you can visit the Crystal Coast soon and see them for
yourself. Click to visit the N.C. Maritime Museum at: http://www.ah.dcr.state.nc.us/sections/maritime/
.

With the help of Bridgette Iris and Karen Browning, Mark Wilde-Ramsing
delivered a power point presentation, The Six- Year Voyage of Queen
Anne's Revenge, at the 36th Annual Conference of the Society for
Historical Archaeology in Providence, RI. This presentation summarized
past, current and future efforts at QAR.
Contributions
- QAR project staff received a contribution of $250.00 from the
Rotary Club - Morehead City Noon, which will be put toward an internship
fund for internet technology students at Carteret Community College.
The QAR intern program provides students an opportunity to put
to practical use their educational background and get valuable experience
and at the same time provide the project vital assistance. Specifically,
intern contributions help develop and maintain the QAR website
which you are now exploring. Thank you for your support! For more information
on how you can help please contact the staff at QAR@ncdcr.gov

QAR staff members Mike Tutwiler, Wendy Welsh, Sarah Watkins-Kenney,
Mark Wilde-Ramsing meet with National Endowment for the Arts grant
administrators Kimberly Jefferson and Michael McClaughlin (Jan
Joyce not in photo) at their headquarters in Washington, D.C.
In the Morehead City/Beaufort/Cape Lookout
area? Visit the North
Carolina Maritime Museum at 315 Front Street, Beaufort, NC and see
many of the actual artifacts from Queen Anne's Revenge.
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